In 1995 the University of Wisconsin at Madison School of Music celebrated its 100th anniversary. To commemorate the event, the school commissioned six composers with ties to Wisconsin to write works for the various student and faculty ensembles. The composers were then invited to the school to serve as artists in residence, and to be present for the premier of their works. This year-long celebration was recorded, and resulting two-CD set, Centennial Commissions, is a stunning collection of both the creativity of these six composers and the high level of musicianship of the commissioning ensembles.
In order to give this music its due, we're taking two podcast episodes to explore this release. In this part, we sample selections from the first disc in the set.
Remember, you don't need an iPod to enjoy a podcast -- just click on the link above and enjoy!
- Ralph
This program we play:
Daron Hagen: Concerto for Brass Quintet, mvts. 1 & 2
The Wisconsin Brass Quintet
from "Centennial Commissions"
UW-Madison School of Music release
David Ott: Gathering of Waters, mvts, 3 & 4
The Windgra Woodwind Quintet
from "Centennial Commissions"
UW-Madison School of Music release
Joan Tower: Rapids
Ursula Oppens, piano; UW-Madison Symphony Orchestra; David E. Becker, conductor
from "Centennial Commissions"
UW-Madison School of Music release
Sunday, June 20, 2010
DCD 094 - Centennial Celebration, Part 1
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Labels: Brass Ensemble, chamber music, concerto, Contemporary music, UW-Madison
Thursday, June 10, 2010
DCD 093 - October on Achill
O'Toole uses the instrument to great effect, especially on his first CD with VGo Records. October on Achill features O'Toole performing Irish music with many of the same musicians he's been playing informally with (on the island of Achill) for the past 15 years.
The result is of an hour's worth of excellent and exciting performances that successfully straddles Redmond O'Toole's two musical worlds.
Remember: you don't need an iPod to enjoy a podcast -- just click on the link above and enjoy!
This program we play:
Morrison's Jig/Drowsy Maggie/The Traveller - Traditional
Eleanor Plunkett - Turlough O'Carolan
Redmond O'Toole, guitar
from "October on Achill"
a VGo release
The Castle of Dromore - Traditional
The Boys of Blue Hill/Cronin's Hornpipe - Traditional
Redmond O'Toole, guitar
from "October on Achill"
a VGo release
Miss Bailey - Mauro Giuliani
The Nine Points of Roguery/The Lark in the Morning/The Kesh Jig - Traditional
Redmond O'Toole, guitar
from "October on Achill"
a VGo release
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Labels: guitar, Irish music, VGO Recordings
Thursday, May 20, 2010
DCD 092 - Vincenzo Albrici: Concerti Sacre
Vinceno Albrici (1631-1696) spent a great deal of time in the service of Queen Christina of Sweden. So it's no surprise that Swedish-based label Musica Rediviva would release an album dedicated to this composer.
The compositions are all "sacred concertos." That is, works that adapted the new concerto style of vocal composition (contrasting arias and choruses) to liturgical use.
Albrici was a champion of the genre, along with Heinrich Schutz, who he worked with in Queen Christina's court. Schutz was a major influence on Johann Sebastian Bach -- and there's a connection to Albrici as well. After being dismissed from the court at Dresden, Albrici was hired as organist at Thomaskirche in Liepzig in 1681 -- a position Bach would later hold as well.
- Ralph
This program we play:
Vincenzo Albrici: Sinfonia fro two violins and basso continuo
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
Vincenzo Albrici: Quantus amor Jesu for baritone and basso continuo
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
Vincenzo Albrici: Ave Jesu Christe for two sopranos and basso continuo
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
Vincenzo Albrici: Venite omnes gentes
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
The compositions are all "sacred concertos." That is, works that adapted the new concerto style of vocal composition (contrasting arias and choruses) to liturgical use.
Albrici was a champion of the genre, along with Heinrich Schutz, who he worked with in Queen Christina's court. Schutz was a major influence on Johann Sebastian Bach -- and there's a connection to Albrici as well. After being dismissed from the court at Dresden, Albrici was hired as organist at Thomaskirche in Liepzig in 1681 -- a position Bach would later hold as well.
- Ralph
This program we play:
Vincenzo Albrici: Sinfonia fro two violins and basso continuo
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
Vincenzo Albrici: Quantus amor Jesu for baritone and basso continuo
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
Vincenzo Albrici: Ave Jesu Christe for two sopranos and basso continuo
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
Vincenzo Albrici: Venite omnes gentes
Capella Augustina; Matteo Messori, conductor
Musica Rediviva
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Labels: Baroque music, Musica Rediviva
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